Beginning Acting Workshop

Description

For students just getting started. A class designed to connect actors with their instrument and to introduce different acting techniques. Taught by superb professionals.

First SemesterSecond Semester
October 5 – December 21, 2020February 1 – May 21, 2020
Mondays, 6 – 9 PMMondays, 6 – 9 PM

Classes are normally held at NFT offices. During COVID, some or all classes may be conducted via Zoom. Yearly Tuition is $375 (Two Semesters). You have the option to pay up-front, or split payment into 3x$125

For More Information

Ajene D. Washington, Workshop Coordinator
Phone: 212-353-1176
Fax: 212-353-1088
Email: a.newfedajene@yahoo.com

 

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Payment Forms

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Faculty

Nora Cole

Ms. Cole is a veteran performing artist of NYC theatre community and abroad. Her career highlights include Rinde Eckert’s Obie Award winning, two character chamber opera, And God Created Great Whales; Culture Project (2012 Drama League and Audelco nominee); with George C. Wolfe, Caroline Or Change, Royal National Theatre;  Jelly’s Last Jam  on Broadway opposite Gregory Hines and the National Tour opposite Maurice Hines and On The Town on Broadway. She was in Fences opposite Tony Todd at the GEVA Theatre Center, Doubt at the Milwaukee Rep and Joe Turner’s Come and Gone at the Studio Arena..  

She appeared in Woodie King Jr.’s National Black Touring Circuit production, I Have A Dream as Coretta Scott King.  Venues included festivals in Brighton and Birmingham, England and the first National Black Theatre Festival in 1989.

Rosalyn Coleman

This Yale Drama School graduate is a busy actress and an incredible acting coach.  Voted “Favorite On Camera Teacher’ in the 2011 Backstage Readers Poll, Roz served as on-set coach for HBO’s hit series In Treatment. Roz will be covering on-camera basics, script analysis, cold reads, and techniques for working with camera, script and reader.

Roz has just finished a run on Broadway as Stand By for Angela Bassett in The Mountaintop. Other Broadway credits include Radio Golf, Seven Guitars, Mule Bone and Piano Lesson. With numerous film and TV credits, including the films Brooklyn’s Finest, It’s Kind of a Funny Story and Frankie and, Alice starring Halle Berry, Roz was most recently cast in the HBO pilot Spring/Fall.

With her film production company, Red Wall Productions, Rosalyn has cast and directed several award winning films that have screened on TV nationwide and in film festivals all over the world. “The greatest pleasure for me as a teacher is to facilitate the person to reach their humanity. I want my clients to leave the room knowing their personal power as a base to communicate anything that a human is capable of experiencing. It’s not a job; it’s a joy.

Eric Coleman is a veteran New York-born actor and director who is proud to add teacher to his resume. His many acting credits include the title roles in Nat Turner, Ira Aldridge, Hamlet, and Othello for such theater companies as the original Negro Co., Riverside Shakespeare, and UBU Rep. In 1999 he was the winner of the New York Fringe Festival Best Actor Award for Strindberg’s PARIA.

Directing credits include The Meeting, With Grits and Gravy, Killing of Sam Cooke, Purple Hearts, 3 On the Fringe, and J.e. Franklin’s Freedom Summer. Over the past 25 seasons, he has produced and/or directed more than 90 staged readings of new and classical plays, three of which went on to successful full runs. He was the 2008 AUDELCO Award winner as Best Director for two plays on Negro League baseball—- Satchel Paige and Josh Gibson, produced by Woodie King, Jr.’s New Federal Theater. A retrospective of his career was recently archived into the Hatch-Billops collection.

Mary Hodges is an actor, director, *sometime dramaturge, and teacher.   She has been at the craft of acting for 25+ years, mostly onstage from Berkeley, California to The Berkshires of Massachusetts. 

I have studied a wide variety of acting methodologies and techniques: traditional and not so traditional.  For example, Sandy Meisner and Uta Hagen to Ernie McClintock’s “Jazz Acting Technique” or Suzuki Training for Actors.  I use ALL of these teachings ALL of the time, regardless if I am acting or directing. 

Is it confusing to the actor to use more than one technique? No.  You take teachings that connect to who you are as a person and an actor and utilize them to the best of your ability and keep it moving.  The more ways you can access the depths of who you are inside and out, the better and that means grasping and decoding teachings from different lenses. 

I have a BFA and MFA in Acting: Virginia Commonwealth University and from The University of Connecticut at Storrs.

Mary was recently in a production of MACBETH at Here Arts Center where she played five different roles, all men.  The show starred internationally acclaimed actor/director/teacher/gender-bend specialist, Lisa Wolpe and Nick Salamone of New York Classical Theatre.  Mary has worked extensively with Harlem Shakespeare’s Festival founder and producing artistic director, Debra Ann Byrd for several years in Harlem, taking on challenging roles such as “Cassio” in OTHELLO, “The Fool” in KING LEAR, and “Ophelia” in HAMLET.  

Joyce is an awarding winning actress, director, playwright, and TV screenwriter. The recipient of the first August Wilson’s Best Playwright’s Audelco Award for A Freeman Hope and also author of Mercedes, Grace In The Light, Faith On Line and Freeda Peoples and the highly acclaimed Women In The Pit.